Your Orchestral Template With Bidule.idule is the brainchild of Plogue Art et. How I knew it was Bidule was when redline monitor was removed you could then hear all my audio from the bidules I had been using in the project, only the audio was all screwed up, because the Bidule plugins had reset all the internal. Of course bidule offers a whole array of complex stuff to dive into from synth designing to granular manipulation ,I guess the vst version is good if you build a synth/effect which you want to play inside your live set. When it comes to an orchestral templates, Bidule is used to host multiple. And when it occured I believe it somehow effected redline monitor. only midiyokes are enabled as midi IN ports) Using remapper Plogue has, to map MIDI notes to CCs, you can route it thru a virtual midi cable midi yoke app that is set up in Live prefs as a remote controller. Plogue Bidule, Audio Mulch, Main Stage, Reactor, Max, Pure Data are hosts. In short I use bidule to process midi mayhem to my liking and send it into live via midiyoke of my choice. paradoxely its name does not mean it was made. I rarely use it's sampling/audio features. a midi/kbd translator.Ī joystick/midi translator and much more. Fix VST2 channel layout issues in Plogue Bidule, Bitwig and Ableton Live. I use it standalone (load after live so they dont "rewire"),Īctually in my setup I use bidule to manipulate the midi INs from the midi ports.
You open up a song with Live, and Bidule is loaded into the tracks you want Bidule on.
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My reasoning is that with this setup, there would be no need for the MIDI yoke/IAC driver etc. Machinesworking wrote:I'm wondering though, can you use Bidule as a VST inside Live, and host VSTi in Bidule while it's a VSTi/VST itself? In this case, it should allow you to route MIDI to Live from the VSTi it's hosting in any way that Bidule wants. You know, basically map MIDI from a plug in to Live, using Bidule as an AU/VST to host the plug in, so that the Live limitation doesn't screw up being able to automate the filters in Symptohm Mellohman for instance. I'm hoping that you can set up something like this in Bidule.
thing is Kore is a dongle, when plugged in, you can play your song, when not, you're SOL. Zebra has an X/Y Performance set up that gets around this Live limitation perfectly.įor all the other synths I have I was looking at Kore, Kore has internal mapping of automation parameters that correspond to 8 knobs, and 16 or so buttons, and acts as a VST/AU host for plugins. There are certain plug ins like Absynth and Zebra 2 that allow you to assign parameters to control set ups internally. Inspired by legendary guitar amplifiers from the real world, the included 'classic clean', 'classic drive' and 'modern drive' amp models cover a wide range of guitar amp tones, from clean vintage sounds from the early days of electric guitar to modern high gain metal tones. One of Live's major shortcomings is it's MIDI automation, Live maps the first 128 parameters of a soft instrument or effect blindly, if the plug in has 400 parameters, then many things end up missing from automation. OK since Bidule demo does not work as an AU or VST plug in inside Live, I can't test this.
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